A coalition of studios and unions wants Congress to pass a national tax credit for film and television production. Here is what the numbers say, and where they come from.
Apple TV+ has set the Ben Stiller-directed drama's second season for January 17, 2025 — a 35-month gap between seasons that says everything about pandemic backlogs, strike pauses, and streaming's patience economics.
From a fifteen-year run at ABC to a Netflix pact reportedly worth up to $400 million, Shonda Rhimes's contracts trace how streaming changed the price of a hit-maker's ownership stake.
Fan conventions turned affection into a commodity market — photo ops, autographs, and meet-and-greets priced by fame — and for television actors it has become a year-round income stream with its own rules.
Animated series are carried by performers most viewers could not pick out of a lineup — a profession of extreme craft, shrinking bookings, and a growing fight over whether voices can be borrowed without their owners.
A coalition of studios and unions wants Congress to pass a national tax credit for film and television production. Here is what the numbers say, and where they come from.
A monthly report from Nielsen sorts every minute of American TV watching into four buckets. Here's what counts, what doesn't, and why December 2025's record streaming share means less than the headline suggests.
Everything else migrated to streaming, but the one program type that must be watched now, with everyone, at full price, stayed — and became broadcast's entire business model.
Every script, every setup, every season: Mike White has written and directed all of "The White Lotus" himself, and HBO's renewal record shows exactly what that concentration of control has bought the network.
Apple TV+ has set the Ben Stiller-directed drama's second season for January 17, 2025 — a 35-month gap between seasons that says everything about pandemic backlogs, strike pauses, and streaming's patience economics.